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Frances Vinall | Journalist

fvinall@gmail.com

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Category: Music Journalism

Review: And that’s a wrap on Mona Foma 2020

“Hobart is over,” Brian Ritchie said on Monday, the concluding day of Mona Foma for 2020. More than 50,000 people … More

Local artists soak up Mona effect as festival wraps up

Much has been made of the international artists that Mona Foma has brought to Launceston. With hip-hop/RnB icon Neneh Cherry, … More

How the true-blue Workers Club became Launceston’s hippest party space

What is surely Launceston’s staunchest holdout of a bygone era has somehow become one of the city’s coolest venues. The … More

A guide to Mona Foma in Launceston

Originally published in the Sydney Morning Herald. This month, after a mini-launch last year in Tasmania’s second-biggest city, Mona Foma … More

Q&A with Faux Mo co-curator Willoh S Weiland

Mona Foma’s late-night party, Faux Mo, will run into the early hours of January 18-19. With the tagline ‘small town, … More

What We Learnt In Discussion With Pitchfork Editor Jessica Hopper

Originally published through Tone Deaf.

Interview: Kate Miller-Heidke

Originally published through Esperanto Magazine 

Interview: David Lovering of the Pixies

Originally published through Music Feeds 

Interview: Janelle Monae

Originally published through Music Feeds 

Album Review: Against Me!’s Transgender Dysphoria Blues

Originally published through Music Feeds 

Album Review: Sky Ferreira’s Night Time, My Time

Originally published through Music Feeds

Ferreira, Sky Ferreira

Album Review: Lana Del Rey – Ultraviolence

Originally published through Music Feeds

Gig Review: The Smith Street Band, The Menzingers, Grim Fandango – Melbourne, Corner Hotel 16/03/14

Originally published through Music Feeds

Live Review: Violent Soho

Originally published through Tone Deaf.

Interview: Harry Angus of the Cat Empire

Originally published through Tone Deaf

Live Review: Emma Louise

Originally published through Tone Deaf

Live Review: Communion Melbourne

Originally published through Tone Deaf

Live Review: Azealia Banks

Originally published through Tone Deaf

Why Tyler, the Creator’s Lyrics Matter: A Female Hip-Hop Fan’s Perspective

Originally published through Tone Deaf

Album Review: Kanye West, Yeezus

Originally published through Tone Deaf. 

Interview: James Williamson of Iggy and the Stooges

Originally published through Tone Deaf

Live Review: Blink 182

Originally published through Tone Deaf.

From Underground To No.1: The Rise Of Aussie Hip Hop (2012)

Originally published through Tone Deaf

Interview: Ball Park Music

Originally published through Tone Deaf

Live Review: Hot Snakes

Originally published through Tone Deaf

Live Review: Dallas Frasca

Originally published through Tone Deaf

Live Review: The Key Of Sea

Originally published through Tone Deaf

Interview: Justin Sane of Anti-Flag

Originally published through Tone Deaf

Live Review: Big Day Out

Originally published through Tone Deaf

Live Review: Melbourne Ska Orchestra at Melbourne Zoo

Originally published through Tone Deaf

Interview: Dimitri Coates of OFF!

Originally published through Tone Deaf

Live Review: OFF!

Originally published through Tone Deaf

Interview: Tim Finn

Originally published through Tone Deaf

Album Review: Trilogy, the Weeknd

Originally published through Tone Deaf

Live Review: Field Day

Originally published through Tone Deaf. 

Album Review: Home Brew, Home Brew

Originally published through Tone Deaf.

Album Review: Chance Waters, Infinity

Originally published through Tone Deaf.

Album Review: Ball Park Music, Museum

Originally published through Tone Deaf.

Live Review: Sprung Hip-Hop Festival

Originally published through Tone Deaf.

Album Review: Seth Sentry, ‘This Was Tomorrow’

Originally published through Tone Deaf.

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